Thank You Kodak

Through the loupe
A year ago I met Stacy Mehrfar for a drink at the Half King in Chelsea. We'd known each other since our early days printing in the color darkroom at the ICP, but on that day Stacy was in town from Sydney, where she lives with her husband Gavin. As we were catching up over a drink and talking about her new adopted country, she mentioned a strange phrase, Tall Poppy Syndrome. Tall Poppy Syndrome is an Australian societal phenomenon where people who are seen to be successful are resented by their fellow citizens. Having been raised in a country that preaches the religion of individual success (USA! USA! USA!), this concept was foreign to me. As we discussed it further we decided it would be a great structure for a photo series about Australia.

Switch to a year later, I'm in Australia and we are about to head out on the second leg of our photographic road trip exploring the land Down Under.

Mostly unshot film
This project was made possible in large part because of the support of my chairs at SVA and Parsons and the folks at FotoFreo, but there's not a chance in hell we could have pulled it off without a generous film sponsorship from Kodak. As long time Kodak shooters, Stacy and I are thrilled to have their support for this project.

Ready for processing
During our first leg of this trip into the Australian Bush and Outback, we shot hundreds of rolls and sheets of Kodak Portra 160 and 400NC. Yesterday we picked up the processed film and were thrilled with the negatives so far. We'll be posting some early scans of the film in the next week. Stay tuned.

4x5 negatives!
Thank you Kodak!

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How to Add Mist to Your Landscapes with Photoshop

Adding a bit of mist to your landscapes is not only simple, but fully customizable in Photoshop. This is a great way to alter the entire mood of your image and make an otherwise boring landscape into something more powerful. Before we get into the techniques, you should always consider the subject of your landscape [...]

Photography Tutorials, Case Studies and Discounts - LightStalking Photography Newsletter.

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Halloween in Harlem and 20x200 This Wednesay


Two photos from my Halloween in Harlem series will be available this Wednesday on 20x200. I can't divulge which images until Wednesday, but the prints look great and you will definitely be pleased.

For my edition I decided to hand make C-prints. Individually printing over a thousand photographs in four days almost ruined me, but I'm very pleased with the final product and happy to be working with 20x200. Big thanks to Print Space and Parsons for helping make my printing death march a little easier.

To get more information and an early jump on purchasing the prints, sign-up for the 20x200 mailing list.

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New York Photo Festival and NY Perspectives

© Marc Garanger
May in New York means the New York Photo Festival, which opens this Thursday. Last year I missed the festival because I was traveling, but this time around I plan to get myself to many of the events. There are some great artists talks scheduled including: Deborah Willis and Jessica Ingram, Zed Nelson, Eirik Johnson and Jason Houston, and Marc Garanger.

As an army photographer in the 1960s, Garanger was forced to photograph Algerian women against their will for identity cards issued by the French government. Many of the women in the photographs had never shown their faces in public before standing in front of Garanger's camera.

Garanger returned to Algeria in 2002 to foster a discussion within the same communities around these photographs. The images are haunting and raise questions the relationship of colonialism and the photographic document.

Here's the full schedule for the New York Photo Festival.

© Joshua Lutz
On Tuesday, before all of this gets underway, NY Perspectives, featuring the work of Joshua Lutz, Gus Powell and Carl Wooley, opens at 25 Central Park West. The show features work they made in 2009 through a commission by the City of Amsterdam Archives and Foam_Fotografiemuseum Amsterdam. I'm not sure what 25CPW is, but it sounds nice. Like the kind of place with hors d'oeuvres and wine in real glasses.

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Thank You Kodak

Through the loupe
A year ago I met Stacy Mehrfar for a drink at the Half King in Chelsea. We'd known each other since our early days printing in the color darkroom at the ICP, but on that day Stacy was in town from Sydney, where she lives with her husband Gavin. As we were catching up over a drink and talking about her new adopted country, she mentioned a strange phrase, Tall Poppy Syndrome. Tall Poppy Syndrome is an Australian societal phenomenon where people who are seen to be successful are resented by their fellow citizens. Having been raised in a country that preaches the religion of individual success (USA! USA! USA!), this concept was foreign to me. As we discussed it further we decided it would be a great structure for a photo series about Australia.

Switch to a year later, I'm in Australia and we are about to head out on the second leg of our photographic road trip exploring the land Down Under.

Mostly unshot film
This project was made possible in large part because of the support of my chairs at SVA and Parsons and the folks at FotoFreo, but there's not a chance in hell we could have pulled it off without a generous film sponsorship from Kodak. As long time Kodak shooters, Stacy and I are thrilled to have their support for this project.

Ready for processing
During our first leg of this trip into the Australian Bush and Outback, we shot hundreds of rolls and sheets of Kodak Portra 160 and 400NC. Yesterday we picked up the processed film and were thrilled with the negatives so far. We'll be posting some early scans of the film in the next week. Stay tuned.

4x5 negatives!
Thank you Kodak!

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